Pharrell Williams – “Come Get It Bae”
Jason Moran – All Rise: A Joyful Elegy for Fats Waller (Blue Note)
Stefano Bollani Trio – Joy In Spite of Everything (ECM)
The Bats – “The Old Ones”
Beastie Boys – Paul’s Boutique (Capital)
Mahmoud Ahmed – Ere Mela Mela – Modern Music from Ethiopia (Master Classics)
La Roux – Trouble In Paradise (Interscope)
Mostly Other People Do The Killing – Red Hot (Hot Cup)
James Brown – In The Jungle Groove (Polydor)
The Chills – “I Love My Leather Jacket”
John Zorn’s The Dreamers – Ipos: Book of Angels, Vol 14 (Tzadik)
Sturgill Simpson – “Turtles All The Way Down”
Sales figures don’t determine a song’s popularity at our house. It’s all about usefulness ’round here. Can the track provide a fun background for various parts of the day? In other words, is it versatile? There’s no question about this summer’s numero uno: LMFAO’s “Party Rock Anthem” was the consensus choice because it worked in myriad situations. Chopping onions for backyard burgers, taking a shower before date night, bumping and grinding during date night, morning clean-up, evening dance bash – I even caught my kid vacuuming to the damn thing.
The season’s most ubiquitous track has generated several spin-offs as well. Tired of the original? How about a few remixes to mess with your head? Everyday I’m (re)shuffling…
What, you say the “Anthem” isn’t the song of the summer? Well, go ahead, tell everyone which track you chopped your backyard onions to!
More than a few allusions to Michael on last night’s VMAs, so let’s roll through a micro history. And never, never leave “Dancing Machine” off of your playlist.
Need a sharp cultural overview of MJ’s impact? Greg Tate summarized it well in the Village Voice a week after he passed.
“Motown saved Michael from Gary, Indiana: no small feat. Michael and his family remain among the few Negroes of note to escape from the now century-old city, which today has a Black American population of 84 percent. These numbers would mean nothing if we were talking about a small Caribbean nation, but they tend to represent a sign of the apocalypse where urban America is concerned. The Gary of 2009 is considered the 17th most dangerous city in America, which may be an improvement. The real question of the hour is, How many other Black American men born in Gary in 1958 lived to see their 24th birthday in 1982, the year Thriller broke the world open louder than a cobalt bomb and remade Black American success in Michael’s before-and-after image? Where Black modernity is concerned, Michael is the real missing link: the “bridge of sighs” between the Way We Were and What We’ve Become in what Nelson George has astutely dubbed the “Post-Soul Era”—the only race-coded “post” neologism grounded in actual history and not puffery. “
Nice job. I like Brit-Madge smooch better than MJ-LM smooch.
Wu and the Wavves, that’s a worthy mashup. The Shaolin MC and the Cali stoners connected on Fuel TV’s The Daily Habit show. Maybe we could get DMX and the National on the same stage next.
B’s called “1+1″ one of her favorite songs, and she sure sings the hell out of it. The new vid dropped last night. Which performance brings the most heat, the Idol debut or the studio track? One thing’s certain: all that church comes out when she’s on stage.
Of course, there’s always this pre-Idol green room rehearsal that shows of her vocal chops as well.
Check the reviews of her recent Roseland shows:
New York Times
Time to put your money on the table. Will it be Brit’s well-rehearsed post-apocalyptic writhing, Bruno’s pledge of love from the war zone of romance, Adele’s flair for martial beats and passion while sitting, or Katy’s big-assed retainer and its magical party powers? I’m thinking the latter, because we needed a “nerds just want to have fun” moment this year. Hit comments and weigh in.