Tyshawn Sorey: Starkness On The Edge of Town

The word I’d use to describe Tyshawn Sorey’s ensembles shows at Roulette this past summer is “gripping.” The composer/drummer is a dynamics zealot, and his blend of negative space and feathered manipulations of sound remind listeners of how striking starkness can be – check the beauty of Koan (482).  Perhaps tonight’s Korzo improvisations with trombonist Ben Gerstein and pianist James Carney will reflect this approach. The program also includes a rare solo percussion recital, and be forewarned: the hurricane that Sorey can bring to his traps is as eloquent as those hushed passages he favors. Last week at the Jazz Gallery, he fed lots of idiosyncratic ideas to his mates in the John Escreet Trio (check their recent hit on Josh Jackson’s show). Shaken water bottles, crushed drum heads, squeezed bubble wrap rubbed against his skull – here’s a gent whose investigation into sound is utterly resourceful. He shocked a dude in the front row when he flipped his sticks into the air to see how the random clatter of the clash aided the work of his associates. Long story short: his abstractions are quite magnetic.

There’s another solo show slated for The Stone, this Thursday night, as well.

 

I, JUKEBOX

Wadada Leo Smith & Ed Blackwell, The Blue Mountain’s Sun Drummer (Kabell)

Bizingas, Bizingas (NCM)

The Books, The Way Out (TRR)

No Age, Everything In Between, (SubPop)

Ben Syversen, Cracked Vessel (Ben Syversen)

minutemen, what makes a man start fires (SST)

Grinderman, Grinderman II (Anti -)

Skuli Sverrisson, Seria (12 Tonar)

Skuli Sverrisson, Seria II (Seria Music)

Bob Dylan, “Talking Bear Mountain Picnic Massacre Blues,” (The Witmark Demos: 1962 – 1964)

Henry Threadgill Sextett, “Jenkins Boys Again, Wish Somebody Die, It’s Hot,” The Complete Novus & Columbia Recordings of Henry Threadgill (Mosaic)


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