When I first saw Marc with Tom it was as startling a foil role as I’ve ever seen anyone play. When I saw him on stage it reminded me of the relationship between Robbie Robertson and Bob Dylan in the mid 60s.
If you listen to the way Marc plays on Tom’s “Make it Rain” you can hear the Wilson Pickett he’s absorbed. And certainly when he first played in the studio with me on Spike [he brought lots of options to the table]. I was taking something that could have been conventionally arranged, and deliberately juxtaposing conflicting voices in the ensemble while still want it to be coherent. I just wanted it different. I’ve come to realize you can do that, it was just a matter of getting outside of the little blueprint that I started with. Marc helped me do that.