Jenny Scheinman’s Mischief & Mayhem turned in a provocative set last night at the Village Vanguard. The dreamy passages were mixed with gnarled spikes of sound provided by guitarist Nels Cline and drummer Jim Black. Bassist Todd Sickafoose (who needed to be brought forward in the mix) was a second percussionist as well, insightfully flecking the pieces with stabs of propulsion. It all went by in a whirl, but three memorable moments are listed below. One that almost made it: Cline morphing into the Mahavishnu Orchestra’s Jerry Goodman on “The Mite.” I believe the above clip (NOT from last night’s show) features that as well. The band plays at the famed New York club through Sunday night. Team Jackson has the stream of the performance for you right here. During the action critic Peter Hum hit the NPR comment field to deem this stuff “some of the least ‘Vanguard-y’ I’ve ever heard at the Vanguard.” Not untrue at all. But trad jazz fans will want to note Scheinman’s quoting of “Four” at the start of the pentultimate tune, a carnival mirror piece of swinging freebop that had toes tapping old-school style.
3. Forward Motian
During the introduction of “Blues For the Double Vee” (written for the Vanguard), Scheinman mentioned that Paul Motian’s updates of Monk were also an inspiration for the piece. From behind his trap set, drummer Black launched into a power crunch version of a surf beat, and laughed a bit while yelling to no one, “Just like Paul!” The piece is a jagged rocker that sounds like the Ordinaires taking a stab a Bernard Hermann tune, so Black was waxing ironic. He was also waxing manic. His drum work – pummeling here, caressing there – was one the set’s consistent highlights.